GUNDAM SOUND EFFECTS PACK SERIES

So we had him make a demo tape with some ideas that might be good, and Mr. Hamon is backed by drums and bass, and there's kind of a jazz feel and a certain tempo, and those ideas were not to be changed at all. Hattori about what kind of music we would write, and what kind of song Hamon would sing. Yasuhiko's ideas as a base, we talked with Mr. Yasuhiko drew that scene in the original himself, so he had a concrete image of the music and the atmosphere in his head. Can you talk about what kind of back-and-forth there was? Fujita: I think people who know the original manga will be very familiar with this, but Mr. In episode 2, there's a scene where Hamon sings at Club Eden. In my heart I felt, 'This Gundam called 'THE ORIGIN,' drawn in the Heisei era, Takayuki Hattori, he is the one composing the music.' Imanishi would both say, 'This is absolutely it' about it. From the very first piece, he wrote a perfect one, and I expected Mr. Hattori had received the assurance that 'This is Gundam,' then there wasn't much left for me to do. Hattori was told, 'This music is good, this is a really great composition,' he seemed to gain confidence. We had very detailed preliminary discussions, and worked on it, and listened to it, over and over.

The music for the 90-second trailer that was released initially was going to be important, so there was unease whether the music we created for 'THE ORIGIN' would be a good fit. Hattori to apply his strengths to the world of Gundam, while keeping that other aspect in check.

You-she Matsuyama created for 'GUNDAM', but it's impossible to work on it without being conscious of that. On the other hand, it wouldn't be good to simply copy the original music which Mr. Hattori's own image would be constrained. Hattori, I tried to reference specific music and composers' names, but not to the point where Mr. Things like 'upheaval' and 'independence movement' are not musical terms. Imanishi used the language of a director creating visual art. Yasuhiko used the vocabulary of a manga artist, and Mr. Imanishi talked more about the direction and story this time around, how it was more concentrated thematically, and about the overall mood and atmosphere. Hattori directly what Gundam was all about. Imanishi make any requests in terms of the music? Fujita: From his position as author of the original manga and character designer, Mr. Tomino's complex explanations so they were easier for Mr. As a music director at King Records back then, my job was to untangle Mr. Tomino was the director, and they had already chosen Mr. Previously, when I was at the record company, my job might begin with the selection of the musicians. People may have this image of a producer being a decision maker, but that wasn't my job on this occasion. Hattori puts something in musical terms, and now I have to put that in words for the anime production side and relate it to the staff. Hattori, and Director (Takashi) Imanishi and the rest of the staff, as an interpreter I turn anime language into musical language and relate that to Mr. Takayuki Hattori was placed in charge of the music. So that catalytic kind of activity is what the music producer does. When creating music for anime, you need a chemical reaction, but I myself am not changed by it. What does being a music producer actually entail? Fujita: Put simply, you could say I'm the connection that ties the composers together with the anime production staff, including the director.

GUNDAM SOUND EFFECTS PACK SERIES

You worked on that series as music director, but on THE ORIGIN you're the music producer. They said it felt unlike any of the music that came before. As a result, when people heard the album they said all the music was there from the beginning to the very end, and the stereo was great, and things like that. We also learned that the customers weren't children, so we felt the things we hadn't achieved with 'ZAMBOT 3,' we wanted to make a reality with 'GUNDAM.'Д«ecause of that, even musically, the background music (BGM) of 'GUNDAM' was consciously recorded using what were then the newest recording systems. (Yoshiyuki) Tomino had been so careful about? How did they feel about it? We found out from the feedback. What age were the fans of this music that Mr. But after it had finished airing, it was decided to release an album, and as a result a lot of opinions came back to us from the customers. At first, we only released the main theme song of 'ZAMBOT 3' as a single, and we didn't have anything to do with the soundtrack. Was 'GUNDAM' a work that brought on a major revolution in terms of truly musical anime music? Fujita: The release of the 'GUNDAM' soundtrack album was influenced by the album sales for 'SUPER MACHINE ZAMBOT 3' (hereafter referred to as 'ZAMBOT 3') which was broadcast before it. Fujita, when 'GUNDAM' was broadcast, you were a music director at King Records and you were helping to sell soundtrack albums.

Gundam sound effects pack